ABDULLAH MINIAWY (EG) + CINNA PEYGHAMY (FR)

With abstract electronics at the center of both artists sound - Abdullah Miniawy and Cinna Peyghamy explore the boundaries between tradition and the contemporary based around poetic lyrics and the tombak - a traditional percussive instrument

PHONO: Abdullah Miniawy + Cinna Peyghamy

Date: 22/04-2026

Doors: 19:00, Concert: 20:00

Price: 140,-

Tickets via the link in bio!

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Abdullah Miniawy

Abdullah Miniawy (born 1994) is an Egyptian expressionist, a writer, singer, composer, and actor. Over the years, he has shared the stage with acclaimed artists such as Erik Truffaz, Kamilya Jubran, Yom, Médéric Collignon, Aly Talibab, A Filetta, Hvad, Ziur, Simo Cell, and many others.

As a composer, Abdullah has created different soundtracks for dance shows, theater productions, and exhibitions, including notable works like "Cabaret Crusade III" by Wael Shawki premiered at Moma PS1, "AMDUAT" by Kirsten Dehlholm premiered at Hotel Pro Forma, and "Insurrection" by Jilani Saadi.

Since 2016, Abdullah has collaborated with the German trio Carl Gari, blending avant-garde electronic soundscapes with poetic lyrics. Their debut album, "Darraje," was recognized as one of the top 50 albums of 2016 by the American NPR. Their recent release, "The Act of Falling from the 8th Floor," garnered attention from Pitchfork, The Quietus, and Wire Magazine, with "Zawaj" ranking at the top of Resident Advisor's list of "Deep Listening" tracks in 2019.

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Cinna Peyghamy

Cinna Peyghamy is Paris-based French-Iranian percussionist, composer and producer. His debut album ‘Gamut’ released in 2017 under the moniker Cikkun, soon followed by the EP ‘Injonctions’. Both showcased a unique turn on IDM and bass music’s standard as the young producer started to implement what would define his sound : fragmented rhythms, severe pattern seizure, abrasive melodies and abyssal mood swings.
Leaving his alias and performing under his full name since 2019, his recent work focuses on blending the boundaries between acoustic and electronic instruments. His recent work focuses on real-time transformation of acoustic sounds. At the center of his setup is the tombak, a traditional percussion instrument. By combining it with the endless possibilities of the modular synthesizer, Cinna blends the boundaries between acoustic and electronic, between traditional and contemporary. His live acts are about building a dialogue between these two sonic entities and exploring the never-ending improvisation field created by this hybrid setup.

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